Miami Beach, FL - March 26, 2026 - With a continued commitment to a curatorially rigorous and globally engaged program that places artists at the forefront, we are pleased to announce the 2026 Guest Curators of our Miami Beach edition, featuring three leading voices who are reshaping the gallery world and will guide the various fair’s sectors. We are thrilled to welcome Agustina Ferreyra for the Artist Spotlight; Willem Molesworth curating Nest; and Damîen Dakota leading Special Projects. Together, they will bring distinct curatorial perspectives that aim to shed light on the evolving global conditions of artistic production and exhibition-making today.
Complementing the Main sector, the second iteration of the ‘Artist Spotlight’ will feature focused solo artist presentations. Selected by Latin American gallerist and curator Agustina Ferreyra, director of OMR and creative director of BODEGA in Mexico City, the sector will bring visibility to practices that consider forms of interdependence, whether through collaborative processes, shared systems of knowledge, alternative economies, or ecological and social networks that shape how we live and work together. Featuring artists working across media and geographies, presentations will reflect on how artistic practices engage with the uncertainties of the present and the ways in which futures are imagined, negotiated, or collectively constructed. This year’s materials related to this sector will also be provided in Spanish, broadening our curator's interests and reinforcing the fair’s longstanding commitment to supporting diverse programming.
Como complemento del sector principal, la segunda edición de ‘Artist Spotlight’ presentará una selección de proyectos individuales de artistas. Seleccionado por la galerista y curadora latinoamericana Agustina Ferreyra, directora de OMR y directora creativa de BODEGA en la Ciudad de México, el sector busca dar visibilidad a prácticas que abordan formas de interdependencia, ya sea a través de procesos colaborativos, sistemas de conocimiento compartido, economías alternativas o redes ecológicas y sociales que configuran la manera en que vivimos y trabajamos. Los proyectos buscarán reflexionar acerca de cómo las prácticas artísticas se relacionan con las incertidumbres del presente y las formas en que los futuros son imaginados, negociados o construidos colectivamente. Este año, los materiales relacionados con este sector también estarán disponibles en español, ampliando el alcance de los intereses curatoriales y reforzando el compromiso sostenido de la feria con una programación diversa.
Damîen Dakota, founder of Super Dakota in Brussels, a platform known for exhibitions engaging with the cultural, political, and social dynamics shaping the contemporary zeitgeist, will guide the fair’s Special Projects. The sector presents a curated selection of site-specific installations and ambitious works throughout the fairgrounds, inviting artists, galleries, and organizations to activate projects beyond the traditional booth format. Under Dakota’s guidance, works will respond to the notion of cognitive dissonance, a term introduced by psychologist Leon Festinger in 1957, describing the psychological tension that arises from contradictions between actions and beliefs. Projects will explore this condition across disciplines, including science, education, technology, and politics, examining systems of knowledge, ideological friction, and the complexities of contemporary life. With an emphasis on sculpture, video art, and installations, the sector will also highlight works that confront, destabilize, and reframe the tensions that define our present moment.
‘Nest' returns for its second year as a section, continuing Untitled Art’s commitment to supporting emerging artists, young galleries, and artist-run spaces while fostering community and collaboration within the art fair landscape. Guided by Willem Molesworth, co-founder of PHD Group in Hong Kong and co-founder of PAVILION in Taipei and Hong Kong, the section provides an invitation-only platform supported by Untitled Art that counters the traditional barriers to participation and encourages greater experimentation. This year, Molesworth’s curatorial focus will highlight collaborative practices and showcase the East Asian arts scene within a global context. From literati gatherings to contemporary networks, collaborative practice continues to define the arts landscape across Seoul, Tokyo, Beijing, and Hong Kong. Highlighting practices by artists working within collaborative networks, the section embraces modes of production that are often spontaneous, informal, and unconstrained by fixed structures emerging across major cultural centers.
Untitled Art, Miami Beach will return to its signature beachfront location for its 15th edition from Wednesday, December 2, through Sunday, December 4, 2026, with a VIP and Press Preview on Tuesday, December 1. The fair will also present its second edition in Houston, TX, from October 2 to 4, 2026 at the George R. Brown Convention Center, with a VIP and Press Preview on Thursday, October 1, with further details to be shared in the coming weeks. If you are interested in learning more about the application process, please contact exhibitors@untitledartfairs.com.
Untitled Art will continue to bolster educational programming year-round and during the fair weeks, including panel discussions as part of the Untitled Art Podcast, performances, and the Untitled Edit, a series of essays advancing art criticism and cultivating the next generation of writers. The fair also deepens its commitment to diversity and accessibility through the newly established Untitled Digital and Untitled Circle initiatives. By connecting global audiences with artists and galleries, these platforms embrace new technologies to support digital curatorial practices and extend programming beyond the show floor from our network of global exhibitors.
Agustina Ferreyra
Agustina Ferreyra is a gallerist and curator based in Mexico City. She is one of the Directors at OMR and Creative Director of BODEGA, OMR’s project space dedicated to emerging and experimental artistic practices. In 2013, she founded Galería Agustina Ferreyra in San Juan, Puerto Rico, later relocating the project to Mexico City, where it consolidated as an influential platform for emerging artists from Latin America.
Her curatorial work and interests focus on creating spaces for experimentation and dialogue across generations and geographies, bringing together artists whose practices explore identity, memory, symbolism, and new forms of collective imagination. She has also served as a sector expert on the Selection Committees of Art Basel Miami Beach, and NADA Miami, contributing to the evaluation of galleries and projects for their respective sectors.
Agustina Ferreyra es galerista y curadora con base en la Ciudad de México. Es una de las Directoras de OMR y Directora Creativa de BODEGA, el espacio de proyectos de OMR dedicado a prácticas artísticas emergentes y experimentales. En 2013 fundó Galería Agustina Ferreyra en San Juan, Puerto Rico, trasladando posteriormente el proyecto a la Ciudad de México, donde se consolidó como una plataforma influyente para artistas emergentes de América Latina.
Su trabajo curatorial se centra en la creación de espacios de experimentación y diálogo entre generaciones y geografías, reuniendo artistas cuyas prácticas exploran la identidad, la memoria, el simbolismo y nuevas formas de imaginación colectiva. También ha participado como experta de sector en los comités de selección de Art Basel Miami Beach y NADA Miami, contribuyendo a la evaluación de galerías y proyectos en sus respectivas secciones.
Damîen Dakota
Damîen Dakota is the founder of Super Dakota, a contemporary art gallery founded in 2013 supporting both emerging international artists and established leading artists. Super Dakota is dedicated to the artists they represent and work for the long-term development of their careers. The platform has its roots in Brussels and highlights contemporary issues embedded in the zeitgeist. Their programme evolves around cutting-edge and engaging shows, toward the perspective of an exacting contemporary art finding its roots in the history of art. They curate exhibitions exploring cultural, political and social dynamics. Additionally, Damîen works closely with several international private collections as a curator and advisor. He has a long-standing relationship with art education and has been invited in several schools around Europe for lectures and tutoring.
Willem Molesworth
Willem Molesworth is a co-founder of Property Holdings Development Group (PHD Group), a contemporary art gallery based in Hong Kong that showcases and represents emerging and mid-career artists from across Asia. In addition to the gallery, Molesworth is the co-founder of PAVILION, which aims to deconstruct the viewing and collecting experience, encouraging slow growth and earnest connections between gallerists and patrons. With a focus on intimate, medium-scale presentations by international and regional galleries, and an ambition to program events across the region of East Asia, it began with its first edition in Taipei in January 2026 and second edition in Hong Kong in March 2026. Molesworth also was the co-founder of Supper Club which ran two successful editions in Hong Kong in 2024 and 2025. From 2018 to 2021, he was a board member and vice president of the Hong Kong Art Gallery Association, where he co-organized the first two editions of UNSCHEDULED, an art fair created in response to the pandemic.
A public advocate for the arts, Molesworth frequently speaks at institutions and universities, and has been quoted in publications such as The New York Times, The Art Newspaper, Artnet News, ARTnews, Le Monde, and SCMP.
Save the Date
VIP Weekend in Houston
June 4-7, 2026
Untitled Art, Houston
October 2-4, 2026
George R. Brown Convention Center
Untitled Art, Miami Beach
December 2-6, 2026
Ocean Dr and 12th Street